Category: All Posts

November 5, 2021 · 0 comments

NEWSWIRE: November 2021 Pre-Orders

NEWSWIRE: November 2021 Pre-Orders

Here we are again – another new month, and another batch of exciting pre-orders at our online store! If you want to know what’s coming over the next few weeks… well, you’ve come to the right place. If on the other hand your attention has been turned to Christmas already, and you’re wondering about our […]

November 5, 2021 · 0 comments

Funuke, Show Some Love

Funuke, Show Some Love

By Tom Wilmot. The family drama is a staple of Japanese cinema and has been for many years. From the shōshimin-eiga (lower middle-class films) of the 1930s to the many masterpieces of Yasujiro Ozu, Japan has a proud lineage of reserved and moving melodramas. Funuke Show Some Love You Losers! is no such film. Based on the […]

November 2, 2021 · 0 comments

Interviews with Monster Girls

Interviews with Monster Girls

By Jeannette Ng. Interviews with Monster Girls by PETOS starts off more or less as its title promises. Tetsuo Takahashi is a biology teacher who has long been fascinated by the existence of demihumans. Some combination of narrative contrivance and fate has resulted in him sharing a school with four of them — Hikari Takanashi […]

October 30, 2021 · 0 comments

The Snake Girl and the Silver-Haired Witch

The Snake Girl and the Silver-Haired Witch

By Tom Wilmot. The height of the tokusatsu (special-effects) era in 1960s Japan is best remembered for the slew of giant monster movies that dominated cinemas. Studio Toho’s titanic Godzilla franchise topped the box office, while competitor Daiei found success with the Gamera and Daimajin series. However, while kaiju made the headlines, this period also saw the production of many, more modestly budgeted tokusatsu films […]

October 26, 2021 · 0 comments

Sanpei Shirato (1932-2021)

Sanpei Shirato (1932-2021)

When asked by an interviewer why he became a manga creator, the late Sanpei Shirato answered bluntly: “I needed to eat.” This seemingly simple reply encapsulated much of his own gritty, materialist attitude towards storytelling. He was always aware of the big picture, of the great weight of history as it marched along, but focussed […]

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