By Jonathan Clements. Northrop Davis’ opening gambit is a good one – much as many animals share 95% of their DNA, the Japanese and American media industries are almost exactly the same. It’s that vital 5% that makes all the difference between, say, a cow and a kangaroo, a difference that he intends to uncover. […]
By Andrew Osmond. Pictures by Carlos Nakajima. Anime tourism is big business in today’s Japan. Around the country, local governments are savvy to the fact that if you can link your neighbourhood to a popular comic or cartoon, then the fan tourists will come. One way is to present your hometown in an anime, so […]
By Jasper Sharp. Ask anyone what Japan’s greatest contribution to the world of film is, and few would offer “film itself” as an answer. Nevertheless, by the end of the twentieth century, one of the country’s best-known brands, Fujifilm, had successfully managed to corner the global market for raw print and negative stock with its […]
By Justin Sevakis. Back in the 1990s Japan’s local TV industry churned out a number of interesting directors who have since become big names among Japanese film aficionados. Some of them, like Hirokazu Kore-eda (After Life, Nobody Knows), have become perennial favourites of festivals and film buffs all over the world. Others, such as Yukihiko […]
By Andrew Osmond. So you love Japanese animation, and want to make yourself an expert. Of course you use Google and Wikipedia to broaden your knowledge, but web sources are reliably unreliable, especially when discussing a medium rather older than the internet. Sometimes there’s no alternative to hitting the books.