Glasgow, UK March 7, 2014 - Anime Limited are thrilled to announce the acquisition of the popular series Kill la Kill for home video in the UK.
Ryuko Matoi is a vagrant school girl traveling from place to place searching for clues to the truth behind her father’s death—the “woman with the scissor blade.” The journey has led Ryuko to Honnouji Academy. Honnouji Academy—where an elite group of students is granted superhuman powers by their special uniforms called the “Goku uniform.” With the power of the uniform, the student body president, Satsuki Kiryuin rules the students with unquestioned power and fear. Satsuki holds the secret to the “scissor blade” and Ryuko confronts Satsuki to gain information but was their encounter a mere coincidence or fate? The clash between the two will soon consume the whole academy!
A popular hit in the Winter 2014 season, Kill la Kill has taken the UK by storm. From Studio Trigger and the people behind Gurren Lagann, Kill la Kill will be released on home video in Q4 2014. The release will come in multiple parts, however details are still being discussed and agreed at this point.
Andrew Partridge, president of Anime Limited says: 'Kill la Kill has been a complete joy to watch this season! We are huge fans here at HQ and we're very happy to be able to release it here in the UK. Look out for some pretty cool things to come with our release in Q4'
Kill la Kill is currently streaming on Wakanim.co.uk every week and will shortly be available for Download to Own.
March 3rd, 2014 - Anime Limited is very pleased to announce it has acquired the rights to Attack on Titan's original soundtrack for immediate distribution on digital channels with a physical CD release coming in Summer 2014.
The soundtrack, composed by Hiroyuki Sawano (Gundam Unicorn, Kill la Kill, Guilty Crown) is available now on all good digital stores including iTunes, Amazon and Google Play.
The soundtrack features 16 track from the hit TV series, Attack on Titan, where the last remnants of humanity were forced to retreat behind the towering walls of a fortified city to escape the massive, man-eating Titans that roam the land outside their fortress.
Only the heroic members of the Scouting Legion dared to stray beyond the safety of the walls - but even those brave warriors seldom return alive. Those within the city clung to the illusion of a peaceful existence until the day that dream was shattered and their slim chance at survival was reduced to one horrifying choice: kill - or be devoured!
Track listing remains identical to the Japanese release:
A couple weekends ago, Patema Inverted and Time of Eve writer/director Yasuhiro Yoshiura popped along to Scotland for a wee visit and a screening of Patema Inverted at the Filmhouse cinema in Edinburgh. Oddly enough, the weather that Saturday was pretty good as everyone settled in for the screening and subsequent Q & A session afterwards. There was a great showing on Saturday afternoon - especially considering the majority of the audience had already seen the film at the Scotland Loves Anime film festival in October. There was also a handy little signing session in the Filmhouse cafe for fans of Yoshiura-san and his work. I even spied a Time of Eve coffee canister from the Kickstarter being signed! Very cool.
After the screening, we all settled into the Q&A session, headed up by Andrew Partridge - he started off with some questions and opened it up to the audience. There were some seriously well thought out questions from the audience, and I took as many notes as I could in order to share some of the interesting answers with all you who couldn't make it. So kick back, relax and read what the man himself had to say about Patema Inverted! Below are some of the questions and answers given - paraphrased as I was taking notes.
One of the earliest questions from Andrew was: where did the idea for Patema Inverted come from? To answer, the director reminisced about his childhood staring up at the sky and imagining, wondering what it would be like if the sky above really wasn't the sky. What if he was on the 'ceiling' relative to the sky and ground? That's where the idea came from - a childhood fancy that stuck with him to this day.
In terms of the film, for those who have seen it, it deals with a lot of complexity - not only with the story itself but also with the use of gravity. There are rules to gravity applied in the film, how did he manage to keep it all straight? On this point the director was clear, despite the complexity of the story and the narrative, it was important to make the rules with regards to gravity very simple. That way, that thread stays neat throughout the film.
A huge part of the film is the sound design - I'm not sure if many are aware of this but the man in charge of said sound design is Akira Yamaoka, the man behind many an eerie feeling in games such as Silent Hill. Was this Yamaoka's first foray into film and what was it like working with him? Akira Yamaoka has actually worked on other feature films before taking part in Patema Inverted. In fact, he was in charge of the sound design for Silent Hill, the film! Hot tip for those of you viewing: the siren in Patema Inverted is the same siren sound in Silent Hill - pretty cool, huh?
If you've seen the film, or read anything about it, you'll be aware of the fact that there is a lot of Esperanto usage in the film - the text, songs etc. Which is a rather unusual direction for a film, especially a modern anime, to take. Why Esperanto? Why a practically dead language that no one in the audience will understand or appreciate? As with everything Yoshiura-san does, there is a very good reason behind the decision. Using Esperanto, a language that is pretty much dead despite best efforts to re-ignite popularity and interest, was a creative decision: it highlights the fact that the truth is long buried and practically lost - unattainable to the current inhabitants of both the underground and overground worlds. It represents hidden truth and a lost world. Esperanto seemed ideal for this.
One of the first questions from the audience was a bit of a belter if I'm honest. He pointed out the fact that there is an incredible amount of detail in the film - so much attention is paid to even the smallest detail. It's certainly one of the main reasons to watch it on the big screen - and definitely watch more than once! Did Yoshiura-san ever think that maybe there was just too much detail in the film? To which Yoshiura-san laughed (seriously, this movie has an insane amount of detail in it! - Ed) and pointed out his own personal motto: the spirit of the film is in the detail. Too much detail is just the right amount of detail - it helps the film come across to people.
Another interesting question was raised by an audience member questioning the apparent theme of subversive politics - was this the main idea when Yoshiura went into making the film? It didn't start out with any kind of agenda, says Yoshiura. It started out as an adventure story that was meant to be engaging, interesting and exciting. But stories and attitudes evolve over time and over the time it took to make this film, the story itself and grown incredibly.
A final, and I think most interesting question came from yet another audience member who pointed out that Yohsiura-san's characters in Patema Inverted and in Time of Eve tend to suffer from fundamental differences. That is, the two main characters are so fundamentally different they either literally come from different worlds or are human and android. These characters tend to have to find a way of working and living together to bring about a story - which is a great theme to have in a film. Will this theme carry on into the new project, Harmony?
Yoshiura-san's wry smile at this point pretty much gave a lot away. The whole fundamental difference between characters was not intentional - at least not from the start and not a theme that necessarily will mark works, he pointed out. But yes, these two projects are great examples of stories involving different people learning to communicate and work together. It's admirable. Harmony doesn't necessarily follow this theme - it's a bit different. It's more bitter - and it's a 25 minute short.
With that, the Q&A was drawn to a close. Yoshiura-san was then escorted off with his awesome Scotland Loves Anime festival prize of some pretty neat whisky to the Filmhouse cafe for a signing session.
All in all, it was a pretty fantastic screening with a very interesting audience! Great questions were asked and answered - the team from Japan were also pleased to see so many families in the audience as well. If you were one of the many in attendance, thanks for showing up! If you are not Scotland/Edinburgh-based, you still may yet get a chance to see the film in cinematic glory in a theatre near you.
Patema Inverted will be in select cinemas from May 2nd across the UK. Dates and venues are still to be confirmed but you can keep up to date on our Facebook page, Twitter or via the Patema UK website.
We've had a few questions in the last 24 hours over our Kickstarter so I figured we'd cover a few of them here so folks have a centralised hub while we wait for it to launch.
#1: WHERE CAN WE SEE THE KICKSTARTER? YOU DIDN'T LINK TO IT.
The honest point is - we missed that the submission process doesn't actually make the project go live so we'd left that to the last moment. Our bad on that one and of course we're not asking for money until you get a chance to see the pitch in a bit more detail!
#2: CAN WE HAVE A SNEAK PEEK AT THE KICKSTARTER TO GIVE SOME FEEDBACK?
Sure! While we wait we're happy to show you a bit of what we have in store for folks - you can view the preview link here: https://www.kickstarter.com/projects/alltheanime/1966076526?token=3bc1557d
Play nice folks, constructive feedback is good but don't let it degenerate into dubs vs subs or such!
#3: WHY DO A KICKSTARTER? SURELY RELEASING IT AS NORMAL WOULD BE GOOD?
If it were just the UK, sure. But I'm not one to sit still and since the US rights were still available, we were able to negotiate a good deal to take those on board too - the catch-22 being the risks are a lot higher of course. As a UK-based company Kickstarter is a good way to build interest and make releasing this property viable in a territory we wouldn't normally release in whilst maintaining the quality of release UK fans have become used to.
Without a Kickstarter at best all we could do is a subtitled DVD and BD in standard amaray packaging, with this we have the potential to do some really cool things so it seemed a bit of a no-brainer really
#4: STRETCH GOALS! WILL YOU DO A DUB? WILL YOU DO A COMMENTARY TRACK WHERE ANDREW DRINKS A LOT AND CRIES TO THE KEY OF CARELESS WHISPER?
Probably not the latter*, but of course a dub is on our radar! We're firm believers in not talking stretch goals 'til you've made your baseline though :). So as soon as that point is passed we'll get on talking about what stretches we've got planned and we'll try to get you, the backers, to have a say in that as part of crowd producing!
I think the above summarises most of the points floating around but we'll post more to the Kickstarter itself as soon as it goes live! Watch this space!
Anime Limited is happy to announce that we will be launching a Kickstarter campaign designed to bring Mai Mai Miracle, the beautiful animated film by Sunao Katabuchi, to UK and US audiences.
Wait, what? Why do need you a Kickstarter for doing what you should be doing anyway?
Frankly, this is what you’re all thinking isn’t it? It’s pretty simple actually - Mai Mai Miracle is a film we strongly feel deserves a wider, appreciative audience than it has received in the recent past. Coming at the hands of former Hayao Miyazaki protégé Sunao Katabuchi, Mai Mai Miracle is a sweet film that encapsulates the magic and imagination of two young girls in 1950s Japan.
One of our main mission statements with Anime Limited is to bring new, interesting, niche and not easily available anime to UK fans. We see the overlooked Mai Mai Miracle as one of these niche animated gems that need to be watched. However, we don’t just intend to release this film on blu-ray - we want to give you so much more than a blu-ray disc. We want to give you all sorts of goodies, the kind of beautiful packaging it deserves and we want to open up and bring this film to the US too!
Therein lies the difficulty - we’re a small, independent company from the UK thus making it very tricky/expensive/difficult to distribute a film like Mai Mai Miracle in the US. We would have to throw insane levels of cash at this or in the very least, sublicense the film - which in itself is difficult/tricky/expensive to do with a title that doesn’t have the heavy-hitting cache of a huge studio behind it. So we figure: hey! Why not take it straight to the fans, cut out the middleman and make this as special a release as possible? So that’s what we’re doing.
With this Kickstarter campaign, we hope to raise $30,000 (US) to do the following:
Release Mai Mai Miracle in both the UK and the US on blu-ray
Create and add English subtitles for the film
Produce quality packaging to house the blu-ray disc and make it Collector’s Edition worthy
Share some of the truly beautiful artwork, illustrations and behind-the-scenes goodness that comes with the making of such an animated film
We view this Kickstarter campaign as the best way to bring in and widely distribute a small, charming film that should be enjoyed by as many people as possible. And to say thank you for any help, support and love we will give you as much bang for your buck as possible.
So here’s your chance to support something sweet, unique and magical. We love this film and we hope you will too.
Mai Mai Miracle
Mai Mai Miracle is the story of two young girls, their friendship and their unique magical take on the world around them - a view that is only possible in the minds and imaginations of children. When a young girl named Kiiko moves to a small country town, she befriends Shinko, a bright, imaginative girl who has a special way of viewing the world around her and connecting it to the region’s past. With Shinko’s lead, Kiiko follows her on numerous adventures of imagination and time travel finally breaking free of her shell and learning to let go of the grief she carries for her deceased mother.
Mai Mai Miracle does a great job of converting that magic into art in a way that is unique to the film which very much adds to the overall feel of the story. It is a joy to behold and a great film for kids and adults alike. If this sounds like something you’d love to see, or you would like more information and details on the Kickstarter campaign please pledge on our page!