By Andrew Osmond. Two years ago, the British film magazine Little White Lies interviewed director Hiromasa Yonebayashi, then best known for directing Ghibli’s Arrietty and When Marnie was There. Yonebayashi was asked about the first Ghibli films he saw. Nausicaa and Totoro, he answered. “I’ve been watching all of them since I was a child… […]
To many people, Isao Takahata will be remembered as the man who directed Grave of the Fireflies, the saddest Japanese animation ever made. Yet his work brims with the joy of life, from Heidi frolicking in the Alps with Peter in Takahata’s landmark 1974 series, to a gang of mischievous children calling “Li’l Bamboo!” to […]
By Andrew Osmond. Whether he likes it or not, Hirokazu Koreeda has become the ambassador of contemporary live-action Japanese film in Britain. No other Japanese live-action director has his films released in British cinemas so regularly. Koreeda brings us portraits of ordinary, contemporary Japanese people, of different ages and genders, in dramas where the strongest […]
By Andrew Osmond. This month, the Titans are exploding into British cinemas and home formats, with the release of Season two of Attack on Titan, which was simulcast last spring. Next Wednesday, 21st February, there’ll be a one-day release of the feature film edition, Attack on Titan: The Roar of Awakening, at selected cinemas.
By Andrew Osmond. Princess Mononoke: Understanding Studio Ghibli’s Monster Princess is published by the Bloomsbury Academic imprint, with the kind of academic price-tag this blog has often complained about. But most of the anthology’s authors are doctoral candidates or university lecturers, and the book’s main readership will surely be university students who can access the […]