By Motoko Tamamuro. There are plenty of books written about Studio Ghibli, although it is difficult to tell how well they sell. Hayao Miyazaki’s collected writings seem to do well enough for Viz Media, but producer Toshio Suzuki’s memoirs only limped out from a small, expensive academic press. Perhaps these diminishing returns explain why Stephen […]
[WARNING: Content potentially Not Safe For Work] By Jasper Sharp. The three titles in Mushi Pro’s short-lived “Animerama” series, A Thousand & One Nights (1969), Cleopatra (1970) and Belladonna of Sadness (1973), arrived at an interesting juncture in the history of Japanese animation and Osamu Tezuka’s Mushi Production.
by Jeremy Clarke. Nick Park and Aardman Animations’ latest epic, out on Blu-ray and DVD, is set in a prehistoric world of cavemen, rabbits and mammoths. For good measure it also throws in dastardly Frenchmen and football. Park coaxes great voice performances out of his all-star cast, while physical animation is in the capable hands […]
By Andrew Osmond. Two years ago, the British film magazine Little White Lies interviewed director Hiromasa Yonebayashi, then best known for directing Ghibli’s Arrietty and When Marnie was There. Yonebayashi was asked about the first Ghibli films he saw. Nausicaa and Totoro, he answered. “I’ve been watching all of them since I was a child… […]
By Jasper Sharp. The first thought that immediately sprang to my mind when I picked up Kurosawa’s Rashomon: A Vanished City, a Lost Brother, and the Voice Inside His Iconic Films by Paul Anderer was: “Does the world really need another book on Kurosawa?” Since Donald Richie gave the West the first systematic study with […]