By Jasper Sharp. The Motion Picture Producers Association of Japan (Eiren) has just released its annual overview of the financial facts, figures and trends for the Japanese film industry for last year. For filmo-watchers, the 2018 statistics yield few surprises, but still merit further contemplation.
By Jasper Sharp. People often assume that the animated muse in Satoshi Kon’s celebration of Japan’s cinematic heritage, Millennium Actress (2001), was based on Setsuko Hara, the film star who anchored Yasujiro Ozu classics like Tokyo Story, and who retired from the screen for fifty years of self-imposed exile. There is, however, at least one […]
By Jasper Sharp. Home viewers have become the most substantial market for the Hollywood majors. At the turn of the millennium, revenues from VHS sales and rentals amounted to three times those of box-office receipts, while Stephen Sommers’ CG-slathered The Mummy (1999) earned more for Universal in the US on its first week on home […]
By Jasper Sharp. The Japan Foundation UK Touring Film Programme has announced its 2019 programme, and it looks like they are putting out a whole lotta love, with “People Still Call It Love: Passion, Affection and Destruction in Japanese Cinema.” Once more, we see the season snowballing in terms of size and reach, with a […]
By Jasper Sharp. One Cut of the Dead, the ultra-savvy horror comedy that has been the talking point Japanese film of 2018, is getting a UK release in January to a handful of indie cinemas across the country courtesy of Third Window Films, which is also making it available on home video and VOD from […]