Author: Jonathan Clements

December 9, 2022 · 0 comments

Curious about our release of Cyber City Oedo 808, on sale now as part of the Twelve Days of Christmas offers? Check out Andy Hanley’s documentary on the origins of this 1990s cyberpunk fan favourite.

December 6, 2022 · 0 comments

By Jonathan Clements. Grey October Sound, “one of Japan’s most talented hip-hop producers”, takes a bunch of iconic Joe Hisaishi tracks and noodles around with them, often working with instrumental cover versions by a bunch of artists including TO4NORI, CHARIOT SOUND, COCO and Judo125 to create the album Lo-Fi Ghibli. One wonders about the meeting […]

December 4, 2022 · 0 comments

By Helen McCarthy. From the first episodes of the Revolutionary Girl Utena anime series, director Kunihiko Ikuhara delivers a format packed with new ideas and a number of classic riffs. As a girl, we are told, Utena lost her parents, but remembers being comforted by a gallant prince on a white horse. The impressionable child […]

December 1, 2022 · 0 comments

By Jonathan Clements. Occupying a handy space between Titan Books’ habitual comics and movie work, and the more impenetrable territory of Japanese animation, Andrew Osmond’s The Art of Pacific Rim The Black is a vibrant account of the Netflix series that cashed in on Guillermo del Toro’s 2013 movie hommage to Japanese SFX films. It […]

November 29, 2022 · 1 comment

By Jeannette Ng. I flat-out don’t know what to do with Marginal Operation. The premise is one that I’ve grown familiar with in light novels and manga: a nerdy young man, who has a talent for video games, loses his unfulfilling job and is ominously beckoned towards a whole new world, where his seemingly useless […]