January 22, 2021 · 1 comment

(This was published on 22nd January 2021) This is a brief update on the status of our Violet Evergarden release – which has been delayed while we looked into video quality issues that were brought our attention late last year; just before Christmas. WHAT’S THE LATEST UPDATE? Jan 22, 2021jeremy

January 21, 2021 · 0 comments

By Andrew Osmond. “The story of a legendary actress talking about her life. Confusion clouds her memory and her old roles come into play to create an eventful tale.” According to the official Japanese tie-in book to Millennium Actress, Chiyoko Millennial Actress, from which much of the information below is taken, this was the original […]

January 18, 2021 · 3 comments

By Andrew Osmond. The beginning of 2021 sees Anime Limited release the film Gundam NT and the second half of the series Turn A Gundam. These anime were made nearly two decades apart, but they have similar agendas. Both set out to consolidate the complex Gundam franchise, but in drastically different ways. So, it’s a […]

January 15, 2021 · 1 comment

By Andrew Osmond. While the score for the Japanese release of Cyber City Oedo 808 (included on the subtitled version of the film) was composed by Kazuhiko “Kazz” Toyama, it was replaced completely on the English-dubbed version. Andrew Osmond talks to Rory McFarlane about how he composed the new score. Jan 15, 2021Jonathan Clements

January 12, 2021 · 2 comments

By Jonathan Clements. He shrugs and stammers, he mumbles and prevaricates. He can’t surrender because he is not in command of all the troops, you see. The first English-language voice-actor in anime appears in the final scenes of Momotaro, Sacred Sailors (1945), desperately trying to wave away the demands of the Japanese victors on Devil […]

January 9, 2021 · 0 comments

By Andrew Osmond. The decidedly colourful English dub for Cyber City Oedo 808 was adapted by John Wolskel. He adapted several other anime titles for Manga Entertainment as well, often “in-your-face” actioners where Wolskel was encouraged to make the dialogue as edgy (and sweary) as possible. In this interview with Andrew Osmond, Wolskel remembers how […]