Author: Jonathan Clements

April 12, 2017 · 0 comments

by Jeremy Clarke. Weighing in at a lengthy two and a half hours, this lavish, sexually-explicit, South Korean pot-boiler is based on Sarah Waters’ 2002 novel Fingersmith, but moves the location from Victorian England to Japanese colonial-era Korea.

April 9, 2017 · 1 comment

By Jasper Sharp. At the end of February, the National Film Center of Tokyo opened its ‘Japanese Animated Film Classics’ online archive to celebrate this year’s centenary of Japanese animation. The site, which features 64 films from the pre-war and wartime period, features many films with English subtitles. It is a wonderful initiative from the […]

April 6, 2017 · 0 comments

By Roxy Simons. In a similar fashion to Nicolas Winding Refn’s Drive, it’s the violence that does most of the talking in Tetsuya Mariko’s Destruction Babies. With no clearly defined narrative, the film goes from one fight to the next, with each proving to be more aggressive than the last. It gives the film a […]

April 5, 2017 · 0 comments

By Jonathan Clements. “When you love film,” writes Jon Spira in his Kickstarted book Videosyncratic, “it doesn’t just transport you to another world. It transports you back to where you were, who you were, when you first saw it. Hours sat with friends now missing or lost. Sunday afternoons on the sofa with your family. […]

April 3, 2017 · 0 comments

By Andrew Osmond. It’s not unknown for live-action films to have “companion” films in animation, usually made as spin-offs. The classic case is The Animatrix, a Japanese-Korean anthology made to tie in with The Matrix Reloaded, and the better of the two. Another anime anthology, Batman: Gotham Knight was theoretically tied in with The Dark […]