All Posts: Page 24
July 28, 2023 · 0 comments
The Night is Short, Walk On Girl
By Andrew Osmond. Here’s a funny thing; there aren’t many out-and-out anime comedy films. Of course, there are plenty that have comedy – some of anime’s best comic characters are from films, like the indomitable trans heroine Hana in Tokyo Godfathers and the clingy BFF Tomohiro in A Silent Voice. But these films aren’t comedies; […]
July 25, 2023 · 0 comments
The Music of Gunbuster
By Jonathan Clements. Even though Gunbuster was released across three video cassettes, two episodes a time, its format preserved the two-part structure of TV anime, with a little “eyecatch” bumper at the halfway mark to imply that the show was just about to break for commercials. The chorus of voices that sings “Gunbuster~~~!” in the […]
July 22, 2023 · 0 comments
Love Me, Love Me Not
By Tom Wilmot. In the spring before her first year of high school, the shy Yuna feels lost when her best friend moves away. However, it isn’t long before she’s thrown into the company of Akari, a spritely girl who has moved into the same apartment building. To begin with, the two couldn’t be more […]
July 19, 2023 · 0 comments
Takahata on Miyazaki
By Andrew Osmond. In 2008, The New Yorker ran an epic article on Hayao Miyazaki to accompany the release of Howl’s Moving Castle. Beautifully written by Margaret Talbot, it was a celebration of the director. But one criticism in it was telling, made by Ghibli’s other legendary director. “With Miyazaki, you have to totally believe […]
July 16, 2023 · 0 comments
Gunbuster Files: Smith Toren
By Jonathan Clements. Noriko Takaya, the leading lady in Gainax’s Gunbuster, gets her first unwelcome taste of battle in the episode “First Love, First Sortie.” But as the title implies, she also finds something else, in the form of her brief encounter with the handsome American pilot Smith Toren. Jul 16, 2023Jonathan Clements
July 13, 2023 · 0 comments
The Art of Hiromasa Yonebayashi
By Andrew Osmond. Hiromasa Yonebayashi, the future director of Arriety, When Marnie Was There and Mary and the Witch’s Flower, was in at anime’s deep end. It was 2000, and the 26-year-old was Ghibli’s baby, the studio’s youngest key animator. He’d joined Ghibli four years before, dropping out of a commercial drawing and advertising class […]