Tag: Satoshi Kon

October 12, 2017 · 0 comments

Tokyo Godfathers

Tokyo Godfathers

By Jonathan Clements. Three tramps, alcoholic Gin, transvestite Hana and teen runaway Miyuki, find an abandoned baby while searching through the trash on Christmas Eve. They decide to return it to its mother, only to plunge into a whirl of scandal, kidnapping and attempted murder, all on the one day when Tokyo is supposed to […]

February 26, 2017 · 1 comment

Music: Perfect Blue

Music: Perfect Blue

By Meghan Ellis. If you enjoy your breakfast with a side of restless dread, you should pick up a copy of the remastered Perfect Blue vinyl soundtrack. I say “breakfast” as that’s how my first listen went; a dark January morning over a bowl of New Year’s Resolution, with the film’s songs of madness accompanying […]

July 30, 2016 · 0 comments

Aya Suzuki: In Her Own Words

Aya Suzuki: In Her Own Words

By Andrew Osmond. The guests at this year’s London Anime and Gaming Con included animator Aya Suzuki, who has worked on a remarkable list of productions. Following a four year stint on Sylvain Chomet’s The Illusionist, she worked on Satoshi Kon’s unfinished last film The Dream Machine, Mamoru Hosoda’s Wolf Children, Hayao Miyazaki’s The Wind […]

October 22, 2015 · 0 comments

Review: The Art of Satoshi Kon

Review: The Art of Satoshi Kon

by Chris Perkins. 24th August 2010 was a dark day for anime, and indeed for fans of quality cinema in general. On that day Satoshi Kon, one of the brightest lights in the animation scene, passed away at the tragically young age of 46. He left behind a small but perfectly formed filmography comprising just […]

October 19, 2015 · 0 comments

Satoshi Kon: Seraphim and Opus

Satoshi Kon: Seraphim and Opus

By Raz Greenberg. It’s been five years since the shocking news of Satoshi Kon’s death, and the animation world is still mourning. The news that there’s nothing more coming from one of the man who directed innovative works as Perfect Blue and in his short lifetime managed to influence significant works by leading directors as […]

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