By Andrew Osmond. Gundam F91 is a feature film, released in Japanese cinemas in 1991. It’s also effectively a one-off. It has its own set of characters, and it’s not directly derived from any of the other versions of Gundam. Although it involves several of the franchise’s big-name creators, it’s not a good starting point […]
By Jonathan Clements. It is the ultimate in blood-sports – hundreds of the most beautiful women in the world, locked away in a palace where their sole chance of advancement is to catch the eye and bear the heir of the Emperor. Throw in scheming eunuchs, bitter sister-wife rivalries, and the ever-present danger that years […]
by Jeremy Clarke. You’d be forgiven for assuming Mothra (1961) to be a typical Toho monster movie in which a giant moth attacks Tokyo. However, the film single-handedly redefined the genre as much as the original Godzilla film defined it.
By Hugh David. “Abandoned artificial satellites. Tanks jettisoned from space shuttles. Refuse generated during space station construction. Debris of all shapes and sizes is travelling around the Earth at speeds of up to eight kilometres a second. Should this debris collide with a spacecraft, it could result in a terrible accident. For this reason, mankind […]
By Shelley Pallis. In an already crowded field of critical appraisals of Ghibli films, the Toulouse-based Third Editions offer their latest English-language publication, Gael Berton’s The Works of Hayao Miyazaki: The Japanese Animation Master. It’s a beautifully designed book, on posh paper with a pretty cover, although one immediately wonders whether the world really needs […]