Tag: Hayao Miyazaki

March 29, 2022 · 0 comments

By Jonathan Clements. In a tongue-in-cheek reminiscence, Yasuhiko Tan, the NHK producer who greenlit Future Boy Conan over dozens of other possible projects, wrote of his interest in the show as if it were a deluded romance. Bewitched by the charms of the original offer, and over-awed by the appearance of the pilot episode, he […]

March 7, 2022 · 0 comments

By Helen McCarthy. There are many ways to explore and interrogate an artist’s work. One is through experiencing and analysing the work itself. Another is through contact with the artist, through their recorded or published words or in a face to face interview. One can also look at what others – friends, enemies, competitors, critics, […]

January 18, 2022 · 0 comments

By Andrew Osmond. Hayao Miyazaki, published to tie in with the current exhibition about the director at the Academy Museum in Los Angeles, is a whopping big book. It’s a true coffee-table tome, a hefty oversized hardback of 288 pages. For some reason, the exhibition’s website claims it’s only 256 pages, but presumably it had […]

February 27, 2021 · 0 comments

By Shelley Pallis. In an already crowded field of critical appraisals of Ghibli films, the Toulouse-based Third Editions offer their latest English-language publication, Gael Berton’s The Works of Hayao Miyazaki: The Japanese Animation Master. It’s a beautifully designed book, on posh paper with a pretty cover, although one immediately wonders whether the world really needs […]

August 20, 2020 · 0 comments

By Alex Dudok de Wit. The filmographies of Isao Takahata and Hayao Miyazaki, the two geniuses of this book’s title, stand as monuments to their creativity. But how do we weigh the achievement of Toshio Suzuki, the third man at the head of Studio Ghibli? Suzuki’s influence on Ghibli is hard to summarise because it […]