Tag: Hirokazu Koreeda

April 23, 2020 · 0 comments

Books: Kore-eda’s Elemental Cinema

Books: Kore-eda’s Elemental Cinema

By Jasper Sharp. Ask anyone about the state of contemporary Japanese cinema and the one name that is sure to come up is that of the subject of Linda Ehrlich’s The Films of Kore-eda Hirokazu: An Elemental Cinema, surprisingly the first book-length focus on the director. For well over two decades, Kore-eda has enjoyed widespread […]

August 12, 2019 · 0 comments

Of Flesh and Blood

Of Flesh and Blood

By Jeremy Clarke. In the West, Hirokazu Koreeda remains Japan’s highest-profile, living, live-action film director. Shoplifters (2018) picked up over eighty awards nominations this year including the Best Foreign-Language Picture Golden Globe and Oscar. A Blu-ray box set of four key films, each with a new commentary, plus some excellent extras and a useful book […]

July 16, 2018 · 0 comments

The Third Murder

The Third Murder

by Jeremy Clarke. For a director usually associated with family dramas like I Wish, Like Father Like Son and After The Storm, Hirokazu Kore-eda’s The Third Murder might seem like a change of direction. It begins with a murder, and focussed on a lawyer trying to uncover what actually happened, a narrative template familiar from countless […]

March 28, 2018 · 0 comments

Hirokazu Kore-eda’s Family Values

Hirokazu Kore-eda’s Family Values

by Jeremy Clarke. Three recent Hirokazu Kore-eda movies I Wish (2011), Like Father, Like Son (2013) and After the Storm (2016) finally arrive on UK BD/DVD. Most of his art-house feature work has secured a release here, much of it (including these three titles) initially in cinemas. Kore-eda has been described as one of the […]

February 21, 2018 · 0 comments

After the Storm

After the Storm

By Andrew Osmond. Whether he likes it or not, Hirokazu Koreeda has become the ambassador of contemporary live-action Japanese film in Britain. No other Japanese live-action director has his films released in British cinemas so regularly. Koreeda brings us portraits of ordinary, contemporary Japanese people, of different ages and genders, in dramas where the strongest […]

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