by Jeremy Clarke. This month, BFI Southbank and the Korean Cultural Centre UK are mounting a season of films from Korea made up to and including 1946 under the moniker Early Korean Cinema: Lost Films From The Japanese Occupation Period. The season is curated by KCCUK’s Hyun Jin Cho and University of Sheffield’s Kate Taylor-Jones.
By Andrew Osmond. The Shower is a 48-minute Korean animated film screening this coming Saturday (3rd November) as part of the London Korean Film Festival. The venue is the Phoenix Cinema at noon, and tickets are available here. It depicts an encounter between two young children, a boy and girl teetering on adolescence in a […]
by Jeremy Clarke. Weighing in at a lengthy two and a half hours, this lavish, sexually-explicit, South Korean pot-boiler is based on Sarah Waters’ 2002 novel Fingersmith, but moves the location from Victorian England to Japanese colonial-era Korea.
By Andrew Osmond. It’s not unknown for live-action films to have “companion” films in animation, usually made as spin-offs. The classic case is The Animatrix, a Japanese-Korean anthology made to tie in with The Matrix Reloaded, and the better of the two. Another anime anthology, Batman: Gotham Knight was theoretically tied in with The Dark […]
by Jeremy Clarke. The Age of Shadows opens with an unexpected Warner Bros. logo, confirming it as the Hollywood studio’s first Korean-language production. It was made in conjunction with director Kim Jee-woon’s own Grimm Pictures. His previous works include celebrated horror outing A Tale of Two Sisters (2003) and gangster movie A Bittersweet Life (2005), […]