by Jeremy Clarke. This month, BFI Southbank and the Korean Cultural Centre UK are mounting a season of films from Korea made up to and including 1946 under the moniker Early Korean Cinema: Lost Films From The Japanese Occupation Period. The season is curated by KCCUK’s Hyun Jin Cho and University of Sheffield’s Kate Taylor-Jones.
by Jeremy Clarke. Despite the bloody implications of its title, Bloody Spear At Mount Fuji (1955) is more like a period road movie, introducing a series of offbeat characters, each in their own unique situation. Whilst Mount Fuji puts in an appearance in the opening frame and in one of the many scenarios on the […]
by Jeremy Clarke. For a director usually associated with family dramas like I Wish, Like Father Like Son and After The Storm, Hirokazu Kore-eda’s The Third Murder might seem like a change of direction. It begins with a murder, and focussed on a lawyer trying to uncover what actually happened, a narrative template familiar from countless […]
by Jeremy Clarke. A private eye gets caught in the middle of a Tokyo gang war, when two gun-running yakuza clans are ripped off by a third. Made by cult director Seijun Suzuki at Nikkatsu in 1963, Detective Bureau 2-3: Go to Hell Bastards! was also his first to feature Jo Shishido in a leading […]
by Jeremy Clarke. Back on the big screen in a welcome one-day outing fifty years after its original 1968 release, The Beatles: Yellow Submarine remains one of the most remarkable animated feature films ever made. It turned the medium on its head in the English-speaking world, eschewing Disney’s dominant visual style and children’s audience for […]