Tag: Jonathan Clements

August 10, 2022 · 0 comments

By Jonathan Clements. Masakazu Ishiguro’s manga Heavenly Delusion begins with super double-bluff opening chapter, in which a bunch of gormless school-children, tutored by a robot, complain about an unexpected maths test. It’s only when one of them tries to come up with a word for it, unaware that the term “pop quiz” even exists already, […]

August 1, 2022 · 1 comment

By Jonathan Clements. Megumi Hayashibara is an observant and empathetic narrator, walking the reader through her early years as a nobody struggling to finish nursing school while burning the night-oil on a bunch of freelance recording contracts as an anime voice actor. She is stereotypically Japanese about the need for apprenticeships and a pecking order, […]

July 17, 2022 · 0 comments

By Jonathan Clements. Supposedly, life has returned to normal in the lands of Aquafa, but there are still unwelcome echoes of the past. The Empire of Zol maintains garrisons of soldiers on Aquafan territory, and plunders the nation’s riches for its own ends. But a new threat arises, fighting the Zolians on an unexpected front. […]

July 14, 2022 · 1 comment

By Jonathan Clements. Twelve years after its first publication, the British Film Institute’s 100 Animated Feature Films gets burnished and buffed up by its original author, Andrew Osmond, in a new edition. This 2022 incarnation features a continuing decline from an America-centric cartoon view of the world, with American films still in the mix, but […]

June 22, 2022 · 0 comments

By Jonathan Clements. The inauguration of Barazoku (“Rose Tribe”), a magazine for gay men in 1971, brought with it a sop to the ladies, in the form of a page for lesbians, for which author Ito Bungaku coined the term yuri-zoku, the “Lily Tribe.” Ever since, lesbian media have officially been a thing in Japan, […]